Llanfihangel Rhydithon, Powys, Wales, S Michael & All Angels
| Place | Llanfihangel Rhydithon S Michael & All Angels |
| Principal area | Powys |
| Preserved county | Powys |
| Country | Wales |
| Historic county | Radnorshire |
| Dove tower ID | 14279 |
| Rings | 6 (full-circle ring), tenor 6½ cwt in CSee below |
| Frames | 1See below |
| Grid reference | SO151667 |
| Latitude & longitude | 52.29196, -3.24579View on map, or get directions from Google MapsList nearest towers |
| Satnav lat & long | No optimised destination for satellite navigation has been submittedAdd details |
| Postcode | LD1 5TH |
| Diocese | Swansea and Brecon |
| Church | Church in Wales |
| Affiliation | Swansea and Brecon Diocesan Guild |
| Performances | Search for performances on BellBoard |
Ring of 6, tenor 6½ cwt in C
| Bells | 6 (full-circle ring)Edit details |
| Tenor | 6½ cwt (~730 lb or ~330 kg) in C (1044.0 Hz) |
| Practices | Tue 20:00 |
| Overhauled | 1936 by Gillett & Johnston |
| Peals | View 24 peals in the Felstead Database |
| Additional information | Not well in tune |
| Bell | Weight | Nominal | Note | Diameter | Dated | Founder | Canons | Turning | Hanging | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 3–2–10 | 1735.0 | A | 24.00″ | 1936 | Gillett & Johnston | F | FC | |||
| 2 | 3¾ cwt | 1598.0 | G | 25.25″ | 1838 | Thomas II Mears | Y | 4 | FC | ||
| 3 | 4 cwt | 1370.0 | F | 26.25″ | 1838 | Thomas II Mears | Y | 4 | FC | ||
| 4 | 4¼ cwt | 1316.0 | E | 27.25″ | 1838 | Thomas II Mears | Y | 4 | FC | ||
| 5 | 5 cwt | 1167.0 | D | 29.75″ | 1838 | Thomas II Mears | Y | 4 | FC | ||
| 6 | 6½ cwt | 1044.0 | C | 32.25″ | 1838 | Thomas II Mears | Y | 4 | FC |
Details of frame
| Frame | Bells | Year | Material | Maker | Truss | Layout | ||
|---|---|---|---|---|---|---|---|---|
| 1 | 1,2,3,4,5,6 | 1838 | Oak | 6 |
Update log
| 27/03/2024 | Postcode amended [Quarterly postcode check using ONS data sourced via Doogal website via Tim Jackson] |
| 27/09/2021 | 1,2,4: nominal amended; 2: note amended [Recorded by Philip Denton (2011) and recently re-analysed by Bill Hibbert and Nick Bowden] |