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# | Tower | Bell | Weight | Note | Diameter | Cast | Founder |
| 2001 | Ashover, Derbyshire, All Saints | 3 of 10 | 5–0–18 | E | 28.13″ | 1902 | John Taylor & Co |
| 2002 | Ashover, Derbyshire, All Saints | 4 of 10 | 5–0–19 | D♯ | 28.50″ | 1890 | John Taylor & Co |
| 2003 | Ashover, Derbyshire, All Saints | 5 of 10 | 6–1–8 | C♯ | 31.00″ | 1890 | John Taylor & Co |
| 2004 | Ashover, Derbyshire, All Saints | 6 of 10 | 7–1–14 | B | 34.25″ | 1625 | George I Oldfield |
| 2005 | Ashover, Derbyshire, All Saints | 7 of 10 | 8–1–17 | A | 36.25″ | 1902 | John Taylor & Co |
| 2006 | Ashover, Derbyshire, All Saints | 8 of 10 | 10–3–9 | G♯ | 38.50″ | 1890 | John Taylor & Co |
| 2007 | Ashover, Derbyshire, All Saints | 9 of 10 | 10–2–0 | F♯ | 40.63″ | 1630 | George I Oldfield |
| 2008 | Ashover, Derbyshire, All Saints | 10 of 10 | 18–0–10 | E | 47.00″ | 1902 | John Taylor & Co |
| 2009 | Ashover, Derbyshire, All Saints | Sanctus | | | | | ? George Hedderly |
| 2010 | Ashow, Warwickshire, Assumption of Our Lady | 1 of 4 | 3 cwt | E | 24.00″ | 1793 | John Briant |
| 2011 | Ashow, Warwickshire, Assumption of Our Lady | 2 of 4 | 3½ cwt | D♯ | 24.25″ | 1793 | John Briant |
| 2012 | Ashow, Warwickshire, Assumption of Our Lady | 3 of 4 | 4 cwt | C♯ | 28.25″ | 1793 | John Briant |
| 2013 | Ashow, Warwickshire, Assumption of Our Lady | 4 of 4 | 6 cwt | B | 31.00″ | 1793 | John Briant |
| 2014 | Ashow, Warwickshire, Assumption of Our Lady | Clock | 1 cwt | | 16.00″ | 1867 | John Warner & Sons |
| 2015 | Ashperton, Herefordshire, S Bartholomew | 1 of chime | | | 29.00″ | 1620† | Simon Baker |
| 2016 | Ashperton, Herefordshire, S Bartholomew | 2 of chime | | | | 1653 | John Finch |
| 2017 | Ashperton, Herefordshire, S Bartholomew | 3 of chime | | | 37.00″ | c1410 | Worcester foundry |
| 2018 | Ashperton, Herefordshire, S Bartholomew | 4 of chime | 10–0–8 | A♭ | 39.00″ | c1410† | |
| 2019 | Ashprington, Devon, S David | 1 of chime | 6½ cwt | | 33.00″ | 1790 | Thomas I Mears |
| 2020 | Ashreigney, Devon, S James | 1 of 6 | 4–0–20 | E | 26.75″ | 2016 | Whitechapel Bell Foundry |
| 2021 | Ashreigney, Devon, S James | 2 of 6 | 4–1–2 | D | 28.38″ | 1826 | W & J Taylor |
| 2022 | Ashreigney, Devon, S James | 3 of 6 | 5–0–21 | C | 30.75″ | 1826 | W & J Taylor |
| 2023 | Ashreigney, Devon, S James | 4 of 6 | 5–1–26 | B | 31.75″ | 1826 | W & J Taylor |
| 2024 | Ashreigney, Devon, S James | 5 of 6 | 5–3–11 | A | 33.38″ | 1841 | Thomas II Mears |
| 2025 | Ashreigney, Devon, S James | 6 of 6 | 9–0–11 | G | 38.50″ | 1826 | W & J Taylor |
| 2026 | Ashreigney, Devon, S James | Unused | 4–0–17 | E | 27.25″ | 1826 | W & J Taylor |
| 2027 | Ashridge, Hertfordshire, Ashridge House Chapel | 1 of clock chime | 2–2–14 | A♭ | 23.31″ | 1814 | Thomas II Mears |
| 2028 | Ashridge, Hertfordshire, Ashridge House Chapel | 2 of clock chime | 4–2–19 | G♭ | 27.50″ | 1813 | Thomas II Mears |
| 2029 | Ashridge, Hertfordshire, Ashridge House Chapel | 1 | | | 15.00″ | | Unidentified (blank) |
| 2030 | Ashtead, Surrey, S George | 1 of chime | | | | | |
| 2031 | Ashtead, Surrey, S Giles | 1 of 8 | 3–3–8 | F | 26.83″ | 1873 | Mears & Stainbank |
| 2032 | Ashtead, Surrey, S Giles | 2 of 8 | 4–0–19 | E | 27.75″ | 1873 | Mears & Stainbank |
| 2033 | Ashtead, Surrey, S Giles | 3 of 8 | 4–2–22 | D | 29.83″ | 1873 | Mears & Stainbank |
| 2034 | Ashtead, Surrey, S Giles | 4 of 8 | 5–2–2 | C | 31.50″ | 1873 | Mears & Stainbank |
| 2035 | Ashtead, Surrey, S Giles | 5 of 8 | 6–0–15 | B♭ | 33.75″ | 1873 | Mears & Stainbank |
| 2036 | Ashtead, Surrey, S Giles | 6 of 8 | 7–1–8 | A | 35.75″ | 1873 | Mears & Stainbank |
| 2037 | Ashtead, Surrey, S Giles | 7 of 8 | 9–0–17 | G | 39.13″ | 1873 | Mears & Stainbank |
| 2038 | Ashtead, Surrey, S Giles | 8 of 8 | 12–3–26 | F | 43.38″ | 1873 | Mears & Stainbank |
| 2039 | Ashton, Devon, S John Bapt | 1 of 6 | | F♭ | 26.25″ | 1787 | John III [C] & Christopher IV Pennington |
| 2040 | Ashton, Devon, S John Bapt | 2 of 6 | | E♭ | 27.50″ | 1780 | IP & Co |
| 2041 | Ashton, Devon, S John Bapt | 3 of 6 | | D♭ | 28.75″ | 1780 | IP & Co |
| 2042 | Ashton, Devon, S John Bapt | 4 of 6 | | C | 30.00″ | 1780 | IP & Co |
| 2043 | Ashton, Devon, S John Bapt | 5 of 6 | | B♭ | 33.00″ | 1780 | IP & Co |
| 2044 | Ashton, Devon, S John Bapt | 6 of 6 | 10 cwt | A♭ | 36.88″ | 1780 | IP & Co |
| 2045 | Ashton, Northamptonshire, S Michael & All Angels | 1 of 5 | 3–1–13 | G | 24.25″ | 1931 | John Taylor & Co |
| 2046 | Ashton, Northamptonshire, S Michael & All Angels | 2 of 5 | 3–1–7 | F | 26.13″ | 1631 | James Keene |
| 2047 | Ashton, Northamptonshire, S Michael & All Angels | 3 of 5 | 3–0–24 | E♭ | 26.13″ | 1631 | James Keene |
| 2048 | Ashton, Northamptonshire, S Michael & All Angels | 4 of 5 | 3–2–27 | D | 28.00″ | 1849 | John Taylor & Son |
| 2049 | Ashton, Northamptonshire, S Michael & All Angels | 5 of 5 | 7–0–17 | C | 32.63″ | 1699 | Henry II Bagley |
| 2050 | Ashton, Northamptonshire, S Michael & All Angels | Sanctus | 0–2–17 | | 14.00″ | 1849 | John Taylor & Son |